The Firm

DIRECTOR

• Sydney Pollack

SCREENPLAY

• David Rabe
• David Rayfiel
• Robert Towne

DIRECTOR OF PHOTOGRAPHY

• John Seale

EDITOR

• Fredric Steinkamp
• William Steinkamp

ORIGINAL MUSIC COMPOSER

• Dave Grusin

PRODUCTION DESIGN

• Richard Macdonald

PRODUCER

• John Davis
• Scott Rudin
• Sydney Pollack

EXECUTIVE PRODUCER

• Lindsay Doran
• Michael Hausman

ADR EDITOR

• Chris Jargo

ADR VOICE CASTING

• Barbara Harris

AERIAL CAMERA

• David L. Butler

ART DEPARTMENT COORDINATOR

• Yael Haffner

ART DIRECTION

• John Willett

ASSISTANT ART DIRECTOR

• Frank Hendrick
• James C. Feng

ASSISTANT CHIEF LIGHTING TECHNICIAN

• Andy Day

ASSISTANT COSTUME DESIGNER

• Marjorie McCown

ASSISTANT EDITOR

• Joyce Arrastia
• Karl F. Steinkamp
• Michael T. Wilson

ASSISTANT HAIRSTYLIST

• Gloria Belz

ASSISTANT MAKEUP ARTIST

• Gloria Belz

ASSISTANT PROPERTY MASTER

• Michael Gastaldo

ASSISTANT SET DECORATION

• Steven Curtis Husch

ASSISTANT SOUND EDITOR

• Carmen Flores De Tanis
• Carolann Sanchez-Shapiro
• Jennifer Portman

BEST BOY GRIP

• John T. Martin

BOOM OPERATOR

• Steve Bowerman

CABLEMAN

• Kevin E. Patterson

CAMERA LOADER

• David Brink

CAMERA OPERATOR

• Mark Van Loon

CARPENTER

• Alan Easley

CASTING

• David Rubin

CASTING ASSOCIATE

• Debra Zane

CHIEF LIGHTING TECHNICIAN

• Morris Flam

COLOR TIMER

• Phil Hetos

CONSTRUCTION COORDINATOR

• E.W. Bradford

CONSTRUCTION FOREMAN

• Jerry G. Henery
• Mark Fabert

CONSTRUCTION MANAGER

• Gerry Robert Byrne

COSTUME DESIGN

• Ruth Myers

COSTUME SUPERVISOR

• Bruce Ericksen

COSTUMER

• David Page
• Luke Reichle

DIALOGUE EDITOR

• Adam Sawelson
• David Beadle
• Gary Lewis
• Matthew Sawelson

DOLLY GRIP

• Chuck Brown

DRIVER

• Cody Frost

ELECTRICIAN

• Darryl Wilson
• Robert Bruce
• Steve Spallone

EXECUTIVE IN CHARGE OF PRODUCTION

• Michael Tadross

EXTRAS CASTING

• Kim Davis-Wagner

EXTRAS CASTING ASSISTANT

• Jason White

FIRST ASSISTANT CAMERA

• Brian W. Armstrong

FIRST ASSISTANT DIRECTOR

• David McGiffert

FIRST COMPANY GRIP

• Robin Alan Knight